“SARAH JOYCE COOPER IS
SOMETHING
ELSE.”
P a r t e r r e B o x
But his Adina, Sarah Joyce Cooper, is something else again, her voice sizable and beautifully produced, the high notes never shrill, the low ones full-bodied, the occasional trill limpid and unforced. She sings with a passionate power that should soon lead her to the roles of Verdi… Moreover, she is a pretty woman and a charming actress.” - Parterre Box
Videos
“Follie, follie! … Sempre libera” from La Traviata. Opera Acadia.
“Potion Aria” from Roméo et Juliette. Elaine Rinaldi, piano.
“Signore, ascolta!” from Turandot. Elaine Rinaldi, piano.
“The Last Day of Trial” from American Jezebel: The Trial of Anne Hutchinson. Harvard University.
“Unadorned” from American Jezebel: The Trial of Anne Hutchinson. Harvard University.
“Showstopper”
Q u i e t s i d e J o u r n a l
“Wonderfully
Coquetish”
“Sarah Joyce Cooper made for a wonderfully coquettish Adina, and she made the undoubtedly difficult vocal writing sound insanely easy throughout the whole run…”
Schmopera
